As promised in my last post, I wanted to touch upon Jean-Paul Sartre's old age, as described by Hazel Rowley in her book about him and Simone de Beauvoir. She also wrote an interesting article in The American Scholar entitled "Censorship in France" which deserves to be widely read, although I completely disagree with her debating whether she should have defended Sartre and Beauvoir more. Beauvoir, a self-professed heterosexual, slept with some of her young female friends and then passed them along to Sartre. This is indefensible. (More about the censorship controversy and the philosophers' love affairs here.)
But anyway, there is no love lost between Rowley and Sartre's literaty executor: his adoptive daughter, another lost young female who contacted him for career advice and whom he apparently had a brief liaison with. The woman is described in the book as a parasite who removed Sartre's belongings after his death, with the help of Sartre's secretary, before Beauvoir had a chance to retrieve his papers. (It might be useful to remind the reader that Rowley, who wrote her PhD dissertation on Beauvoir, seemed to have a lot of admiration for the author of The Mandarins.)
Sartre's secretary is also described as someone who took advantage of Sartre in his old age, especially in a series of interviews he made with the philosopher as his mental faculties appeared to be waning. This last part was discussed in the literary circles before Rowley's book found its way into print, in fact ever since the interviews were published - I became aware of the rumor a while ago.
When I read the end of Rowley's book I was reminded of the prize-winning biography of Willem de Kooning by Mark Stevens and Annalyn Swan. It seems that "friends" of de Kooning removed paintings from his studio at the end of his life, when he was afflicted with Alzheimer's disease, and claimed that they were presents of his. Being famous and old is a fraught combination. Beauvoir herself is said to have been afraid that Sartre's secretary would become his "Schoenmann", in reference to the secretary-general who claimed during the proceedings of the Russell tribunal to speak for the ninety-four-year-old Bertrand Russell , too old and fragile to do so himself.
What is interesting in the case of Sartre's literary executor is that she does seem to be fighting to protect Sartre's image. I can't say how her behavior has affected his legacy, but while Rowley hints that the woman became rich because of all the royalties pertaining to her illustrious adopted father's work, that continued allegiance makes her a more multi-dimensional character than her description in Rowley's book suggests - as if the honor of becoming Sartre's daughter had transformed her from a floundering young woman to a determined guardian of the philosopher's masterpieces.
The description of Sartre's decline (precipitated by alcohol and the excessive consumption of other substances), though, which Beauvoir also documented in Adieux, should serve as a warning to anyone hoping senescence will not apply to them - or not as much as to others - because they started off with a high IQ. The moments where Nobel Prize winner Sartre, almost blind, doesn't realize he is putting food all around his face while he eats are truly heart-wrenching - but not more so than those when de Beauvoir reads him books because he is no longer able to have a thoughtful conversation with her.
In contrast with Camus's abrupt death at age forty-six in a car accident, the physical and mental decline of such a towering intellectual figure offers a stark reminder of what happens when nature runs its course. And of the temptation by some to take advantage of such frailty, whether directly or indirectly by claiming that others did, when the main protagonist can no longer set the record straight.