« No, I didn't like Sarah Ruhl's adaptation of Chekhov's "Three Sisters", and here's why | Main | Superb "Trials of Sam Houston" at the Kalita Humphreys Theatre in Dallas »
I eagerly waited several years for Robert Schenkkan's follow-up to its Tony-Award-winning Broadway sensation "All the Way", but after I saw the result at the (Regional-Tony-Award-winning Dallas Theater Center) I wished Schenkkan had taken a few extra years to fix his play. Maybe that's why we had to wait so long. Maybe he was already trying to fix it, and perhaps the best course of action would have been to throw everything out and start from scratch.
Read the rest on my Dallas blog!
The comments to this entry are closed.
Dorothy Lamb Crawford: A Windfall of Musicians: Hitler's Émigrés and Exiles in Southern California
Alan Riding: And the Show Went On: Cultural Life in Nazi-Occupied Paris
Ben Judah: Fragile Empire: How Russia Fell In and Out of Love with Vladimir Putin
Michael H. Kater: Never Sang for Hitler: The Life and Times of Lotte Lehmann, 1888-1976
Steve Swayne: Orpheus in Manhattan: William Schuman and the Shaping of America's Musical Life
Nathan Englander: The Ministry of Special Cases (Vintage International)
Comments